Working through a list of book titles to do with the First World War in Africa, I came across this one – a novel I hadn’t previously known of. It was published in 2009. As it was an EA WW1 novel, it had to be read. Sadly, by page 120 I was ready to put it aside and it was only the fact that I use novels as part of my research that I persisted in finishing the book.
I am fully aware of artistic and literary licence when it comes to historical novels, especially of the First World War in Africa, and have learnt to live with claims that don’t quite match the known facts or interpretations. However, John Buckley’s account managed to jar consistently – to the extent that I referred to the blurb and this seems to me to be the way to comment on the book:
The title: Peponi – this is the Swahili word for Paradise – I see Abdulrazak Gurnah’s Paradise was published in Swahili with the title Peponi in 2023 (which is great news). This only touches on the First World War but it leads into his later book Afterlives which is completely about the First World War. But back to Buckley’s Peponi – as the blurb says: “Peponi may be Swahili for paradise, but our British hero Craig Driscoll, learns that paradise is only attainable with the love of a beautiful and caring woman.” That give a bit of focus for the book – a romance filters through – and we are introduced to the types of contraception practised at the time as well as ways of determining the gender of a foetus before the use of scans. These interludes – and there are numerous others, tend to detract from what is described as a ‘page-turner’.
Concerning the ‘ferocious battle of both mind and armies for absolute control of a partitioned East Africa, this novel shimmers. Take one British military hero and his German counterpart, pit them against each other in a battle that will determine control of East Africa and you have John Buckley’s extraordinary Peponi. From the artistry of brilliantly described landscapes to the scholarly and meticulously presented history of this magnificent history of this magnificent part of Africa, the author pulls you into a story that build in suspense and excitement… right to the last page.’ Well, ‘meticulously presented history’ this is certainly not. Tanks and air dog fights are prominent features of the military tactics – these never featured in the East Africa theatre at all during the 1914-1918 war. Dates do not accord with what happened in reality and for anyone vaguely aware of the Lake Tanganyika expedition or the battle of Tanga will certainly raise eyebrows at the portrayal in this novel. And while literary licence is acceptable in the novel itself, there are inaccuracies in the historical background at the start of the book – Craig Driscoll is used when it should be Patrick or Dan Driscoll…
The book was set on Smashwords which suggests it was self-published – this is further evidenced in the inclusion of research material that doesn’t add to the story, as well as assumptions that readers understand Kiswahili, German, Kisii and Afrikaans.
What is of interest are the aspects chosen to include – despite the inaccuracies and different names used. The choice of name used is also an aspect to ponder upon – why have Louis Botha lead the 5,000 South Africans in East Africa and not Jan Smuts? And that it was published in 2009, five years before the centenary of the war – what spurred the author to investigate?
I’m going to try and find someone without knowledge of the First World War in Africa to read this novel to hear what they say as I’m conscious that my historical knowledge has clouded this read. If I do, I’ll be sure to add their comments.
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