Internment – Behind the Wire

Behind the Wire first came to my attention when Stefan Manz displayed the boards at the Novmeber 2018 UNISA Conference on the legacy of the First World War. The main focus of the portable/mobile exhibit is the Stobs Camp in Hawick in Scotland, but that is only used as a platform to discuss the issue of internment for people across the globe. In September 2019, the education pack was adapted for use in South Africa, a project I was directly involved with.

During September, Stefan visited Pietermaritzburg Museum which has Behind the Wire as a temporary exhibition. I was unable to see the exhibition in situ, but had a behind the scenes tour by Assistant Director Wesley Flanagan. According to the website, the exhibition will be open for a year – and is definitely recommended.

One of the highlights for me was access to material I had been ‘keeping an eye open for’ over some years, it had been in a private collection lovingly compiled by an enthusiast. Without his dedication and tenacity, ‘professional’ historians would often not have access to rich material as this proved. These are often the personal stories which add colour and flavour to the official documents many of us use. For a World War 1 exhibition, there should be material and exhibits not seen in public before which is always a good thing.

A rewarding challenge was linking the past with similar incidents over subsequent years allowing for comparisons, and providing a vehicle for developing understanding of how terminology has changed and how similar people are irrespective of their backgrounds. While finding information on the South African xenophobic attacks as well as a current internment camp for people awaiting deportation was enlightening, it was rather disappointing that one of the milder documents had to be left out as despite being of the time, the language used was still felt to be too sensitive for school children, or more significantly that teachers would not be able to mediate its use in an historical context.

There is much to explore in this exhibition and the education packs. To find out more or to see how your country can be included, see here.

Another group looking to work internationally, and with young people, developing on their First World War work is Never Such Innocence. Both projects are highly recommended.

They are all remembered, living and dead.

 

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