Katrina was released in 1969 in South Africa and is now available on DVD and Youtube. It was directed by Jans Rautenbach (interview in Afrikaans; Abraham) and starred Jill Kirkland who was also sang the theme song. The rest of the cast included Katinka Heyns, Don Leonard, Cobus Rossouw, Joe Stewardson and Carel Trichardt.
Looking back, it is incredible to think that this film was even made and shown in South Africa in 1969 given the storyline. It tells of an Anglican priest, newly arrived, who falls in love with Catherine Winters. As their relationship develops so it becomes apparent that Catherine is also Katrina September, a Coloured woman who is light enough in skin colour to pass for white. This revelation has significant consequences for all involved, not least Catherine’s son Paul who returns to South Africa as a qualified doctor wanting to work in a deprived Coloured area.
This was a brave film to make given that Hendrik Verwoerd had only been assassinated three years previously and BJ Voster was Prime Minister. Although the latter was slightly more lenient in his approach to Apartheid, his notoriaty as Minister for Justice was well-known. One wonders what the establishment’s reaction would have been had they actually seen the film – would they have found a different way to classify people, in particular the Coloured community? What I also find incredible is that Jans originates from Boksburg, my home town, which was notorious for its ultra conservative approach to Apartheid. (There was clearly something in the water as a number of cultural activists hail from Boksburg.)
The implications of the colour line and how it was applied hit full-force in this movie. It’s one thing to read about it in books and to use one’s imagination, but to see it depicted on the screen is something else. All credit to the director and cast. What strikes home though, and is really sad, is how fickle human nature is, despite all intentions of doing otherwise. This is a film of real human emotion, getting to the core of identity and cultural cohesion. It’s not difficult to see how, on a wider scale, nationalism has an attraction causing division and heartache by forcing people apart and to conform especially in communities where people have started to break down the barriers.
What is striking is that in 2017 a film made in a specific context in a specific country in 1969 has so much resonance for the world we live in today. The colour divide issue was not (and is not) unique to South Africa as a recent Guardian article reminds us. Sad to say, colour and cultural divisions still impact on our lives despite all the progress we’ve supposedly made. Perhaps if enough people watch Katrina and work to overcome the fickleness of man(kind), we might create a better world for all. (Yes, I am an idealist at heart, but as a sociologist whose name I can’t remember used to say – strive for perfection even though you know you won’t achieve it fully).
Other films by Jans Rautenbach:
Jannie Totsiens (with English subtitles) (1971)
Pappa Lap (1971)
Ongewensde Vreemdelinge (with English subtitles) (1974)
Eendag op ‘n reendag (1975)
Blink Stefans (1981)
Broer Matie (1984)